Friday, March 29, 2013

Heart of Darkness Prompt #2

     In two distinct instances near the beginning of Heart of Darkness, Marlow describes the Congo river as a snake. The first time is as he is deciding to go into the Congo, when he sees the map of Africa in the shop window. He elaborates on the metaphor of the snake, saying the river resembled “an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land.” This image is repeated for emphasis while he is in the Company’s office in Brussels, again looking at a map of Africa. There he calls the river “fascinating--deadly--like a snake.”

     The image of a snake is an ancient one rich in symbolism. Generally, it represents evil, “darkness” as the book’s title suggests, and fittingly the Company men along the river are dark and corrupted. However, snakes also hold a seductive or tempting element--Marlow says “the snake had charmed me” at one point. As Marlow is an explorer by nature, this snake-like river tempts him to enter it, offering him greater knowledge of the world--but at a price. Marlow is clearly changed by this experience, having greater knowledge not only of Africa as a place but of the violent and exploitative goings-on there. In this sense, Heart of Darkness mimics the biblical story of the garden of Eden, one of the richest, most commonly alluded-to sources of snake symbolism in the Western world.

1 comment:

  1. I find the extension of the snake metaphor to the allusion of the Garden of Eden to be very interesting. This novel is concocted of a good mix of both biblical and mythological references. That in itself is a very amusing thought. The ideas of christianity are in stark contrast to mythology most of the time, making it contradictory for them to be paired together; yet Conrad mashes the ideas together and creates a philosophical air in the novel. In fact, Conrad basically casts Kurtz and Marlow as demigods in this novel, with qualities similar to omnipotence and enlightenment, providing the features necessary for the novel to get its OWN place in history.

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